Hernan diaz alonso museum competition

HDA's design obsessions are based in an appreciation for the perversity of mutant form, a taste learned from the movies and the ser to work on architecture. That said perhaps HDA’s architecture is itself “mutant/genetic,” and perhaps it is, perhaps it is the emergent condition –horrific. Perhaps when the projected figure is frozen in a sufficiently dense, opulent articulation it does achieve a resonant state of topological affect. But if so that achievement is derived as much from the act of designing that figure as it is from the intensity of the extant form. It is produced in the act of design, less through special techniques or processes (though also through these) than in the focused sensation of pointing and clicking. Here that sensation is more like painting than engineering: driven by personal, idiosyncratic gesture more than an application of systematic procedure to material condition. the genesis of this is internally driven but not intuitive. Ha

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